What was the first American knitting book?
In which I attempt to resurrect the Long.Dead.Blog
Editing to add...sometime after I published this "Lonely Hours" finally
made its way onto the internet! Thank you to the Boston Public Library
and Internet Archive. https://archive.org/embed/lonelyhourstextb00amer
It seemed such a simple question. Indeed, it had a simple
answer. But, in the rush to answer it the knitter, the historian and the
librarian rushed headlong into each other, all landing in a heap on the ground.
As I got up and dusted myself off, and made sure I had not impaled myself with
the 0000 steels the knitter was holding, I realized I was at the edge of some
great precipice. As I peered over the edge trying to figure out what it was the
ground gave way and I went tumbling down…down…down…As I tumbled I thought I saw
a rabbit, a white rabbit. I wondered if he was an angora and if I could have
some of his hair. As I pondered the hare’s hair my fall finally came to an end.
I looked around and saw the rabbit, the rabbit with his waistcoat and pocket
watch. That was no simple hole I fell down, no, I had tumbled down the
proverbial rabbit hole…
So, what was the first American knitting book? The first
book with an American imprint was in 1842, a reprint of Mrs Lambert’s “The hand-book
of needlework”. The first book with an American author was just a year later in
1843, “The Ladies' hand-book of knitting, netting, and crochet;: containing
plain directions by which …” published by Redfield in NY. It’s not that simple though. The contents of “The
ladies’ hand-book” was actually the contents of the 1842 “The ladies' hand-book
of knitting, netting, and crochet” published in London. Even though there were
copyright laws in the 19th century, even international treaties,
copyright violation was rampant. Even more rampant that I realized it turns
out. Most of the early knitting books (including ‘knitting and…’ as well as
general needlework books with knitting chapters) were reprinting other books,
sometimes excerpted or rearranged and sometimes not. In fact one 1850 book was
reprinted in part as late as 1886!* The continual and long term reuse of
patterns raises questions about how far after something fell out of fashion a
lady might have made an item. Did a woman in 1886 just know not to make the
1850 collar, which would be hopelessly out of date? Or that the 1850 bonnet cap
which sat nicely under an 1850 cottage bonnet would be functionally awkward
(and visually ugly) under a little 1886 hat? That topic would warrant its own
post, if only I or anyone I’ve discussed it could figure out why they reprinted
those patterns so far out of their context and what the implications really
were!
I’ve spent more hours than I want to know reading and
comparing knitting books and patterns in some huge, warped, game of
concentration trying to figure out which books were copies or excerpts of other
books. Google, Google Books, Internet Archive and Hathi Trust all helped me
ferret out matches but all also choke (badly) in trying to search knitting
notation. (They also can’t really search two major projects providing image-only
pdfs). What was I looking for? A book of, or including a chapter of, knitting
with an American imprint and content which I couldn’t trace back to an English**
book. Did I find one? Yes!
The 1849 “Lonely hours a textbook of knitting” by “An
American Lady”, published by E. Gaskill in Philadelphia. It has “twenty-seven
patterns and directions for the most useful and fashionable articles of
knitting now in use. Adapted to American customs”
That last bit at first made me think these were just going
to be rewritten English patterns but I’ve now sat on this bit of research for
several years, watching as I dug through more and more books, looking at
indexing patterns, and have not found these exact patterns in any other earlier
sources. I believe that that is in fact the first truly American knitting book.
I have absolutely no clues about who that “American Lady” might have been, I
wish I did.
Did this lady just happen to write this books and just happen
to be first. Not really, it is in fact a reaction to the reliance of foreign
patterns and lack of American ones. From the preface:
“The English works on the subject are almost unintelligible
to the ladies of our country, owing to the difference of material used, and the
obscurity of the technical terms, leading many to suppose that the difficulties
of the art are insurmountable. Far from it. The alphabet of knitting is as
simple as that of language – and it has been the writer’s endeavor to render
the elements of the art so plain and simple as to bring the attentive pupil by
easy and imperceptible steps to perfection.
If
success may but follow her humble effort, and the lonely hours of strangers as
well as friend, be cheered by this most fascinating employment, as have been
her own, she will feel amply rewarded for the thought and her labor bestowed
upon it.”
Is there anything different about the content? There’s
nothing earth shattering but there are a few little curiosities. The majority
of the content is things like stitch patterns (I have not knit all of these up
to see how close they are to earlier published ones), socks, and tidies. But,
then there’s a nifty child’s “apron” which is a pinafore. There’s a sun bonnet
with a knit brim (lined in colored lawn and with a muslin cape). I’ve seen
nothing like it in any other publication and I know of just one extant bonnet
similar to it and that’s in an American (private) collection. Then there’s a pattern
for a lady’s knit bonnet, in cotton and shaped over a bonnet form. There’s
another pattern for a knit bonnet contemporary to this but what sets this apart
is a suggestion to dye it with saffron to imitate straw, something I have seen
just one other time and again in an American publication. Did this American
Lady make these things up on her own? I have no idea if they are original to
her, stolen from other sources I have yet to find or, things which were already
being made and she was the first to commit to print. If anyone has seen knit
pinafores or knit bonnets (cotton), which could be from the 1840s/early 50s, in
museum or private collections I would love to know about them, they could help
give clues about how common they were and where this book fits in their commonness.
*The 1886 The work box
and needle or rules & directions for netting, knitting, tatting berlin and
lace work, by a Leading Pattern Maker, is a reprint of the 1850 "Ladies' work-box companion : a hand-book
knitting, netting, tatting, and berlin work" minus its crochet section
which had been reprinted from the 1847 "The
lady's book of useful and ornamental crochet work, containing receipts for
executing a great variety of useful and fancy articles". Oh what a tangled
web they wove when they intended to print a book without doing very much work!
**Why English? Weren’t Germany and France really the fashion
leaders in the Victorian era? I do look at French sources when I get the
chance, and some of the patterns in American magazines were coming out of
French publications. I will admit that my German skills, especially in the old
Fractur, are basically non-existent. Through the 30s, 40s, and early 50s there
are several English authors who do appear to be publishing original content,
not stolen from the continent, it is that content that I find in books
published in the US.
I'm intrigued by your post about this book! It doesn't seem to have been digitized -- is that right?
ReplyDeleteI've been doing some research, and suspect that "E. Gaskill" is Edward Gaskill (1811-1866), "book binder" in Philadelphia -- see
https://books.google.com/books?newbks=1&newbks_redir=0&pg=PA87&dq=%22edward+gaskill%22+philadelphia+publisher&id=qvcYAAAAYAAJ#v=onepage&q=%22edward%20gaskill%22%20philadelphia%20publisher&f=false
and
https://books.google.com/books?id=PQYxAQAAMAAJ&pg=PA303&lpg=PA303&dq=%22edward+gaskill%22+philadelphia+publisher&source=bl&ots=Vf7OyK8S7-&sig=ACfU3U2OfUTBhZ9m1Gl_3MAOBwzKZyfrqg&hl=en&sa=X&ved=2ahUKEwjG9qrI-ebtAhVBvZ4KHZfsC_0Q6AEwEnoECAYQAg#v=onepage&q=%22edward%20gaskill%22%20philadelphia%20publisher&f=false
(though per the last line here, he apparently considered himself as a book-binder, not a publisher!)
This makes me wonder if Mrs. Gaskill (whose name before marriage was Mary Matilda Bywater, born in Yorkshire in the mid-1820s), was the "American Lady" of the knitting book...?
Sometime after I posted this "Lonely Hours" finally made it's way onto the internet! https://archive.org/embed/lonelyhourstextb00amer (I'll add a live link above) Edward Gaskill is spelled out on the verso, I think it's safe to say it's the same Edward Gaskill. In the mid 19th century "publisher" and "printer" seem to be applied in a somewhat more...slushy...fashion than we use them today. Just to add some curiosity, this book exists with two different imprints, both 1849. The other version is published by Maurice Bywater, also of Philadelphia, at the same address. Wait, it gets better, Bywater's sister is Gaskill's wife. I'm used to mid 19th century publishers stealing content from each other but why would two working together, at least somewhat, each publish the same book?
ReplyDeleteAs for the authorship, it's certainly not impossible for Mary Matilda Bywater Gaskill to have written it. In the more grand context of books written by "A Lady" or "An American Lady" I have never heard of any school of thought that they were covering for their wives or sisters, or employing them to write. In at least one case the author has been identified and she has no relation to the publisher. I poked around a bit to see if there were any papers from the Bywater and/or Gaskill families or businesses lurking in any libraries and came up empty. That was a really cursory search, I need to go a bit deeper and also check with some museums. I want to try to find out if anyone has researched those anonymous women as a group but it's a remarkably difficult concept to make databases understand. I've started asking around. At this point I am not willing to say that she was, or was not, the author.